Surprise of surprises, the 2007 Vancouver Taiwanese Festival invited Spider Lilies writer/director Zero Chou to Vancouver tonight! The film was screened in partnership with VIFF, followed by a Q & A. Different (much smaller) crowd from the screening at Out On Screen last week, different vibe, but just as fantastic. Those of you who read my previous post will know just how much I love this film.
Ms. Chou was funny and modest in her Q & A session. Here’re some of what transpired:
What was her inspiration for the story?
It’s based on a true story. After the 921 earthquake in Taiwan where many families lost loved ones, she did a documentary and actually met a little girl named Jade. Jade had told her that her mom had died in the earthquake, which Ms. Chou found out later to be untrue. The girl was actually suffering from post-traumatic stress and had her illusions to comfort herself. The story starts from that background.
Was it deliberate to associate sex with death?
Not at all, the events in the film happen very naturally in the story arc and was not deliberate. Certainly, that wasn’t the intention.
How did she conceptualize the character of Takeko?
Tattoo is the main thread in the film. It is what connects the story, events, and people together.
Children live with illusions and teenagers want tattoos. This is how Takeko’s storyline with Jade intersects.
As a tattoo artist, Takeko understands the implications of each piece. And though her own spider lilies tattoo isn’t a reflection of her, it is her only connection to her brother. It connects with past loves. Each tattoo that she draws for each customer is an expression from her.
What did Ms. Chou think contributed to the phenomenal success of the film in Taiwan, given its subject matter?
The film actually had very little publicity slated for it. It was done on a relatively low budget. Where it really got going was when it won the Teddy Award at the Berlin Film Festival. And that also happened during the Chinese New Year, so maybe there was little news at the time (she laughed heartily when she said this), and the press covered it very well with the award, so it got bigger and bigger after that.
It’s not actually the highest grossing film to date anymore, but because it was done on low budget, they don’t have any debts left (she laughed).
** May I say, with my heart beating like hell, I took the leap to thank Ms. Chou after the show in person (it was an intimate venue). So, trying not to bother her too much, I went to her, bowed, and simply said “xie xie ni”. And she was so cute, she was all smiles and bowed right back and said … I was in the clouds and though I knew what she said to me at the time, I freaking can’t remember it now! Sigh … a fleeting moment …





